Product Fardel and Tableau Art are of excellent
products, specially adapted for the physical painting and the artistic
make-up. Tints are brilliant and very couvrantes, they are easy
and fast to apply to the toweling, to the paintbrush, to the aérographe
and so directly to the finger and for bodies in the hand. They apply
to the bare or already made up skin, but also on beards and hair
and keep(preserve) all their brightness in the time. They deprive
perfectly and very easily the clear water, are corresponding to
the European standards and are not tested on animals. Hypoallergéniques,
they do not require either poudrage matifiant, or bases defender.
Product Fardel is today what is made of better for the professionals.
1) Colours (Foundation
cream, Make-up, Powder) :
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a) Foundation creams (cream
and fluid) :
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Foundation creams Creams
:
They appear under the shape of jar at wide opening of 35 ml
and to distribute 50 ml and 100 ml.
They main virtues is that they are very couvrants and allow to
obtain very lively tones but can also become blurred until the
transparency, have apply them to the toweling, to the paintbrush
or still directly of the end of the finger. They resist well enough
to the perspiration, come out directly and very easily by light
massage with bare hands under the clear water, without requiring
the employment(use) of soap and some more milk or cleansing lotion.
These creams have also for advantages on the other foundation
creams " aqua " that they are ready for the employment(use)
(useless of moistening your toweling or of re-hydrating the product),
actually they never dry completely and are of a big comfort to
the point that one neglect completely the presence of these products
on the face. Furthermore, preparatory mixtures(miscellany) are
possible and the search(research) for a tone broken is facilitated
it.
As they remain supple(flexible) and moldable for a long time,
they do not crack and it is possible to work these colours has
wish by realizing easily magnificent gradations. Colours matifient
by drying. If you mix a normal pigment with a metal pigment, you
will decrease of so much is thoughtful aspect, but it can sometimes
be of the best effect.
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Fluid foundation creams :
Creams of Fluid complexion are mainly thought to cover with
hypermarkets on the body and for the use of the aérographe.
The use of aérographes and pistols with painting allows
certain saving of time and realization of impressive effects,
although you have the equipment and the necessary technique. The
aérographe is especially used by professional plastic surgeons
(the financial investment is consequent), the heaviness and maintains
him(it) of the material are rather binding. Please , note as well
as the quality of the report which becomes naturally established
with the models when the paintbrush slides slowly is totally darkened,
without speaking about the atmosphere distorted(altered) by the
fogs of painting and the noise of the compressor.
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Foundation creams Pulpit, Creams
and Fluids :
Texts under constructions |
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b) Make-ups s (Fluids)
The matt Fluid Make-ups :
They appear in flask of 10 and 30 ml.
These textures are rich in pigments and loaded(charged) with a
siccative resin which their allows to dry very quickly. They are
imperative themselves easily on thorough colours. One uses mainly
their performances to cover small surfaces and realize the details
of finish by means of fine and round paintbrushes rather in hairs
length. One often ends a work with these fluids. The use of paintbrush
eye liner traditional is disadvised. It's better use a flat and
dry brush for gradations and stumps. Attention, if your material
is too wet you will lose a part(party) of the covering power...
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The Special Fluid Make-ups :
They appear in flask of 10 and 30 ml.
These textures are rich in pigments and loaded(charged) with a
siccative resin which their allows to dry very quickly. They are
imperative themselves easily on thorough colours. One uses mainly
their performances to cover small surfaces and realize the details
of finish by means of fine and round paintbrushes rather in hairs
length. One often ends a work with these fluids. The use of paintbrush
eye liner traditional is disadvised. It's better use a flat and
dry brush for gradations and stumps. Attention, if your material
is too wet you will lose a part(party) of the covering power...
60 tints: the most intense of the palette Tableau, among which
more than 20 special tones with thoughtful effect (metallic, bronze,
iridescent).
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Important recommendations:
We recommend you to close and to shake regularly flasks to keep(preserve)
the homogeneity of these fluids. Avoid leaving flasks and especially
jars of creams opened for such a long time, especially if you
work the summer or in an overheated detail(room) (body painting
obliges...).
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c) Powders (made
iridescent, mattes, free) :
Iridescent powders :
Iridescent powders are very couvrantes, they allow to obtain
magnificent satiny and metallic effects. Iridescent powders can
apply to foundation creams and fluid make-up or still directly
next to the skin.
A wide range of 50 tints is proposed to you in jars of 5 gr
( Colour of screenprinting of the lid: red).
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Mattes powders :
Powders mattes are very couvrantes, have use them to mask the
annoying brilliancies which underline and stress the powerful
sources of the lightings used during shots in studio. They allow
also a better stability of the make-ups. They apply to foundation
creams of all kinds either still directly to skin.
At present 18 tints are proposed in jars of 10 gr
( Colour of screenprinting of the lid: grey).
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Free powders :
LFree powders are transparent, mattes and little pigmented, they
are especially used(employed) to fix the make-ups and neutralize
the brilliancies of foundation creams. Very light, free powders
allow by varying discreetly tints to obtain depictions subtle.
The range counts 40 tints among which more half is flesh-coloured
tones intended for the natural make-ups and for the effects of
ageing.
Available limp with it of 50 gr
( Colour of screenprinting of the lid: orange).
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2) Tools
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a) Toweling :
Please , use rather cylindrical, supple(flexible) toweling in
froth(moss) and light density (30g). You can, please , cut them
in two to work with the small surfaces and take advantage of angles
so obtained. It(he) exists there also in the cunning forms, they
contain straight(right) fish bones and and point. For the good,
please , keep(preserve) them, please , rinse at least in the clear
water after every use. As for paintbrushes, please , clean then
in the household soap. Please , avoid toweling in latex, usually
used(employed) by the make-up men for the application of foundation
creams fat. They are dearer(more expensive) and much less successful
and are not convenient for make-up creams.
b) Paintbrushes :
We advise you to invest(surround) at once in the acquisition
of quality paintbrushes. To use rather the hair of marten for
the flat brushes, the exit(release) of 12 mm is rather general-purpose
when one has the adequate technique. They allow among others to
make fine and thick lines(features) with same paintbrushes. The
bundles in marten have a good nervousness and have the peculiarity
to get much more product than all other types of existing hairs.
For the fine and round paintbrushes, please , choose rather Toray
( orange-coloured synthetic material), more nervous, much less
fragile and as well less expensive than the marten. Please , clean
regularly after every use in the household soap and dry with a
kitchen roll in the bootstrap of the base towards the point. If
you take care of maintaining them correctly, (avoid using(employing)
them for realizations acrylic or better the oil painting, limps
with arrangement or bag of stiff transport...) they will follow
you for a long time. Attention, please , avoid also of , please
, let them dip into the water and especially the hairs downward...
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3) Glitters
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The sparkling of the glitter is the subtlety of the painter -
make-up man. Please , take care of using(employing) cosmetic glitter
on base of polyester, very fine and light, they like very well
on creams and even directly on skin (thanks to the force electrostatics).
They apply easily of the end of the finger, in the paintbrush,
sprinkled or still blown by the hollow of the hand towards the
face where the body. Regrettably they are also the most expensive...
They are marketed in the form of powder (the best) or mixed in
the frost(gel). We warn you against the small economy who would
make for you prefer the aluminum glitter, not only they behave
less well, but they are especially made for the decoration and
in the paintings. They are irritating, abrasive and strictly forbidden
in cosmetics. They can also be allergisantes and to provoke microphones(microcomputings)
cuts on the skin. Regrettably it are the most wide-spread and
the least dear(expensive,expensively).
Attention in the glitter applied to the mobile eyelids and the
edge of eyes, and please , avoid using some frost(gel) spangled
on them very young children.
The optical fluo frost(gel) is invisible under a normal light
which lets see only the colours of the glitter. But as soon as
it(he) is placed under the black light ( UV), it(he) appears of
an opaque white and masks the glitter. It(he) is used on the skin
or the hair, you will imagine without any trouble the impressive
effects which he allows during your discreet exits(releases) limp
with it at night !
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