Two known equivalentes marks(brands): Fardel and Tableau art

Attention in make-up and pencils not professional fat of making up!
We are going to be very direct about these products general public and downmarket: they are totally exceeded, please , avoid them absolutely.

 

 

 

 

Product Fardel and Tableau Art are of excellent products, specially adapted for the physical painting and the artistic make-up. Tints are brilliant and very couvrantes, they are easy and fast to apply to the toweling, to the paintbrush, to the aérographe and so directly to the finger and for bodies in the hand. They apply to the bare or already made up skin, but also on beards and hair and keep(preserve) all their brightness in the time. They deprive perfectly and very easily the clear water, are corresponding to the European standards and are not tested on animals. Hypoallergéniques, they do not require either poudrage matifiant, or bases defender. Product Fardel is today what is made of better for the professionals.


1) Colours (Foundation cream, Make-up, Powder) :

 

a) Foundation creams (cream and fluid) :

Foundation creams Creams :

They appear under the shape of jar at wide opening of 35 ml and to distribute 50 ml and 100 ml.
They main virtues is that they are very couvrants and allow to obtain very lively tones but can also become blurred until the transparency, have apply them to the toweling, to the paintbrush or still directly of the end of the finger. They resist well enough to the perspiration, come out directly and very easily by light massage with bare hands under the clear water, without requiring the employment(use) of soap and some more milk or cleansing lotion.
These creams have also for advantages on the other foundation creams " aqua " that they are ready for the employment(use) (useless of moistening your toweling or of re-hydrating the product), actually they never dry completely and are of a big comfort to the point that one neglect completely the presence of these products on the face. Furthermore, preparatory mixtures(miscellany) are possible and the search(research) for a tone broken is facilitated it.
As they remain supple(flexible) and moldable for a long time, they do not crack and it is possible to work these colours has wish by realizing easily magnificent gradations. Colours matifient by drying. If you mix a normal pigment with a metal pigment, you will decrease of so much is thoughtful aspect, but it can sometimes be of the best effect.


Fluid foundation creams :

Creams of Fluid complexion are mainly thought to cover with hypermarkets on the body and for the use of the aérographe. The use of aérographes and pistols with painting allows certain saving of time and realization of impressive effects, although you have the equipment and the necessary technique. The aérographe is especially used by professional plastic surgeons (the financial investment is consequent), the heaviness and maintains him(it) of the material are rather binding. Please , note as well as the quality of the report which becomes naturally established with the models when the paintbrush slides slowly is totally darkened, without speaking about the atmosphere distorted(altered) by the fogs of painting and the noise of the compressor.

 

Foundation creams Pulpit, Creams and Fluids :

Texts under constructions

 

b) Make-ups s (Fluids)

The matt Fluid Make-ups :

They appear in flask of 10 and 30 ml.
These textures are rich in pigments and loaded(charged) with a siccative resin which their allows to dry very quickly. They are imperative themselves easily on thorough colours. One uses mainly their performances to cover small surfaces and realize the details of finish by means of fine and round paintbrushes rather in hairs length. One often ends a work with these fluids. The use of paintbrush eye liner traditional is disadvised. It's better use a flat and dry brush for gradations and stumps. Attention, if your material is too wet you will lose a part(party) of the covering power...

 

 


The Special Fluid Make-ups :

They appear in flask of 10 and 30 ml.
These textures are rich in pigments and loaded(charged) with a siccative resin which their allows to dry very quickly. They are imperative themselves easily on thorough colours. One uses mainly their performances to cover small surfaces and realize the details of finish by means of fine and round paintbrushes rather in hairs length. One often ends a work with these fluids. The use of paintbrush eye liner traditional is disadvised. It's better use a flat and dry brush for gradations and stumps. Attention, if your material is too wet you will lose a part(party) of the covering power...

60 tints: the most intense of the palette Tableau, among which more than 20 special tones with thoughtful effect (metallic, bronze, iridescent).

 

Important recommendations:
We recommend you to close and to shake regularly flasks to keep(preserve) the homogeneity of these fluids. Avoid leaving flasks and especially jars of creams opened for such a long time, especially if you work the summer or in an overheated detail(room) (body painting obliges...).

 

 

c) Powders (made iridescent, mattes, free) :

Iridescent powders :

Iridescent powders are very couvrantes, they allow to obtain magnificent satiny and metallic effects. Iridescent powders can apply to foundation creams and fluid make-up or still directly next to the skin.
A wide range of 50 tints is proposed to you in jars of 5 gr
( Colour of screenprinting of the lid: red).

 

 

Mattes powders :

Powders mattes are very couvrantes, have use them to mask the annoying brilliancies which underline and stress the powerful sources of the lightings used during shots in studio. They allow also a better stability of the make-ups. They apply to foundation creams of all kinds either still directly to skin.
At present 18 tints are proposed in jars of 10 gr
( Colour of screenprinting of the lid: grey).

 

 

Free powders :

LFree powders are transparent, mattes and little pigmented, they are especially used(employed) to fix the make-ups and neutralize the brilliancies of foundation creams. Very light, free powders allow by varying discreetly tints to obtain depictions subtle.
The range counts 40 tints among which more half is flesh-coloured tones intended for the natural make-ups and for the effects of ageing.
Available limp with it of 50 gr
( Colour of screenprinting of the lid: orange).

 

 

 

2) Tools

 

a) Toweling :

Please , use rather cylindrical, supple(flexible) toweling in froth(moss) and light density (30g). You can, please , cut them in two to work with the small surfaces and take advantage of angles so obtained. It(he) exists there also in the cunning forms, they contain straight(right) fish bones and and point. For the good, please , keep(preserve) them, please , rinse at least in the clear water after every use. As for paintbrushes, please , clean then in the household soap. Please , avoid toweling in latex, usually used(employed) by the make-up men for the application of foundation creams fat. They are dearer(more expensive) and much less successful and are not convenient for make-up creams.

 

b) Paintbrushes :

We advise you to invest(surround) at once in the acquisition of quality paintbrushes. To use rather the hair of marten for the flat brushes, the exit(release) of 12 mm is rather general-purpose when one has the adequate technique. They allow among others to make fine and thick lines(features) with same paintbrushes. The bundles in marten have a good nervousness and have the peculiarity to get much more product than all other types of existing hairs. For the fine and round paintbrushes, please , choose rather Toray ( orange-coloured synthetic material), more nervous, much less fragile and as well less expensive than the marten. Please , clean regularly after every use in the household soap and dry with a kitchen roll in the bootstrap of the base towards the point. If you take care of maintaining them correctly, (avoid using(employing) them for realizations acrylic or better the oil painting, limps with arrangement or bag of stiff transport...) they will follow you for a long time. Attention, please , avoid also of , please , let them dip into the water and especially the hairs downward...

 

3) Glitters

 

The sparkling of the glitter is the subtlety of the painter - make-up man. Please , take care of using(employing) cosmetic glitter on base of polyester, very fine and light, they like very well on creams and even directly on skin (thanks to the force electrostatics). They apply easily of the end of the finger, in the paintbrush, sprinkled or still blown by the hollow of the hand towards the face where the body. Regrettably they are also the most expensive... They are marketed in the form of powder (the best) or mixed in the frost(gel). We warn you against the small economy who would make for you prefer the aluminum glitter, not only they behave less well, but they are especially made for the decoration and in the paintings. They are irritating, abrasive and strictly forbidden in cosmetics. They can also be allergisantes and to provoke microphones(microcomputings) cuts on the skin. Regrettably it are the most wide-spread and the least dear(expensive,expensively).
Attention in the glitter applied to the mobile eyelids and the edge of eyes, and please , avoid using some frost(gel) spangled on them very young children.
The optical fluo frost(gel) is invisible under a normal light which lets see only the colours of the glitter. But as soon as it(he) is placed under the black light ( UV), it(he) appears of an opaque white and masks the glitter. It(he) is used on the skin or the hair, you will imagine without any trouble the impressive effects which he allows during your discreet exits(releases) limp with it at night !

 

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